dog-rose:

Ok so I am gonna say this is my personal reference, its mainly through associations. You might TOTALLY disagree and thats chill!

Its more something to think about and a guideline of what I use myself…

Candle Magic:

Carve a candle when…. the candle represents the target, in sympathetic magic. When, essentially, the candle is a poppet and lighting it is a symbol of destruction or empowerment to the target.

Place something under the candle or before it when… you are doing general candle magic, when the candle represents empowering a wish, idea or concept.

Anoint the candle when… doing work with spirits and gods, when you mark the candle for a special purpose, when doing high magic.

Herbs and plant work:

Use dry herbs when… it is convienent to do so, when the herbs are out of season or when you need to store them in a jar or bottle for a long time.

Use fresh herbs when… the spell is very earth orientated, when doing magic on behalf of another or when the magic is sympathetic so that the herbs represent the target, within kitchen witchery.

Use flowers when… when the spell concerns love and sex, or perhaps fertility and attraction, due to flowers being the reproductive parts of the plant.

Use fruit when when… working with children as a target, or with children practising. When you work with fertility and abundance spells.

Use wood and twigs when… when the spell is for protection or binding, for hardiness.

Burn herbs (recaning/incense) when… you wish to cleanse or banish, or invoke an atmosphere - that being, for divination using herbs that are said to open up your perceptions, when banishing, burning acrid or pungent herbs.

Use oil infusions when… you wish to anoint something, when you wish to mark something permanently.

Use floral waters (rose water etc) when… dealing with spirits and gods, for glamour as it has a long history of being used to beautify.

Crystals:

Use metals (haematite, copper, ores etc..) when… you work in protection, when you do energy work due to the conductive properties of metal.

Use shell, pearl, coral and such when… you work in sea magic, when you work within emotional magic due to the element of water.

Use points when… you wish to direct magic to a target.

Use tumble stones when… you wish the magic to be gentle or manifest at a certain place on the body on a target.

Use geodes when… you work in protection, when you work with glamour aimed to obscure and hide.

Knot magic:

Use cotton when… it is convenient.

Use silk when… doing spells that benefit the target.

Use ribbons when… love spells and wealth spells, as well as confidence and beauty spells. Spells to ensure victory.

Use rope when… doing spells that aim to hurt or weaken the target, binding especially.

Poppets:

Use cloth when… the spell aims to benefit who the poppet represents, use particular care when sewing or cutting, choose colours that are appropriate to them.

Use wax when… you wish to manipulate the target.

Use clay when… wish to create fetches or servitors, when you wish to create permanency.

Use twigs when… you wish to bury or throw the poppet out, when you want the poppet to be easily destroyed by breaking or setting on fire.

Sigils:

Use an alphabet grid or circle when… you wish the sigil to be more random and less attached to you.

Combine the shapes of letters from a sentence… when your sigil is very specific and a short term goal.

Use your own personal symbols when… you want the magic to be connected to you, when it is personal.

excdus:

These iron islands appear in the middle of the salt lake Arizaro in Argentina, their colors are the result of oxidation across millions of years. 

Stéphane San Quirce

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mayafuhr:
“VEJAS in studio ~ for FLARE magazine’s summer issue
” mayafuhr:
“VEJAS in studio ~ for FLARE magazine’s summer issue
” mayafuhr:
“VEJAS in studio ~ for FLARE magazine’s summer issue
” mayafuhr:
“VEJAS in studio ~ for FLARE magazine’s summer issue
” mayafuhr:
“VEJAS in studio ~ for FLARE magazine’s summer issue
”

mayafuhr:

VEJAS in studio ~ for FLARE magazine’s summer issue

showstudio:

fashion and the trans aesthetic
by harinef | part ii: current runway

misty pollen
vejas fall 2015
look 9

i met vejas kruszewski on tumblr. the self-taught canadian designer is not yet 20, yet i number him among the most fascinating young designers (he is also one of my best friends). his fall 2015 collection–shown in an intimate gallery space to an audience of 30–felt like a triumph. i can’t spill the beans, but i will say that i’m so excited to see where vejas is headed in the next few months.

vejas made headlines this season for his inclusion of trans and gender-nonconforming models, which included trfkrm, serena-jara, gogograham, misty pollen, and myself. perhaps look 9 comprises a vivid poetics for gender which might “shock” the average new york show-goer, but that’s not what vejas is trying to do. he approaches casting with what i can only call innocence. vejas’ models are his friends: perhaps in part because of financial necessity, but also because they fortify his inspirations.

vejas described his muse for fall 2015 as “the final girl:” a feminist film concept built around “the [one] girl who survives” at the end of the horror movie. “she’s been through shit and hell,” he explained, “it’s about resilience.”

i’m not sure anyone could embody the “final girl” better than a trans woman.

monica-ciccone:

and I feel like I just got home 

showstudio:

Yohji Yamamoto by Velwyn Yossy

Available Online Here

(Source: oeut)

breathtakingdestinations:

Maruyama Park - Japan (by Mirai Takahashi)

colorfulcircles:

colorful circle - 15521